Date of Award
2014
Call Number
PS3612.E22 C66 2014
Document Type
USM Access Thesis
Degree Name
Master of Fine Arts (MFA)
Department
Stonecoast
First Advisor
Martin Espada
Second Advisor
Justin Tussing, Interim Director
Third Advisor
Manuel Avalos,PhD., Dean
Keywords
Stonecoast MFA, music of language, poetic voice
Abstract
The Confounding of the Chameleon is composed of a wide range of experimental poems, experimental in their use of both style and content. The poems are heavily influence by the work of such poets as Li-Young Lee, Edna St. Vincent Millay, Robert Frost, Pablo Neruda, and many others besides. Often featuring scences from both urban and rural New England life, this collection uses many forms including the ode, sonnet, sestina, and free verse, as well as some loosely structured formalist poetry; most of the lines are heavily metrical. It explores the borders between the city and the wild, individual personalities and the social superstructures they belong to, small moments of beauty beside monumental truths, and banality glorified. The characters are drawn from all levels of society and walks of life; literary figures, construction workers, philosophers, janitors, men and women young and old, are present in these poems
Recommended Citation
LeBlanc, David MFA, "The Confounding of the Chamelon" (2014). All Student Scholarship. 195.
https://digitalcommons.usm.maine.edu/etd/195
Comments
This thesis is restricted to USM access only.